University of Isfahan Literary Arts 20088027 17 3 2025 09 23 Sensualitin the Poetry of Saeb Tabrizi Sensualitin the Poetry of Saeb Tabrizi 1 26 29377 10.22108/liar.2025.143402.2417 FA Zahra Ramezanli Ph.D. Student of Persian Language and Literature, Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Sistan and Baluchestan, Zahedan, Iran Abdolali Oveisi Kahkha Associated Professor, Department of Persian Language and Literature, Faculty of Literature and Humanities, Sistan and Baluchestan University, Zahedan, Iran Abbas Nikbakht Associate Professor, Department of Persian Language and Literature, Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Sistan and Baluchestan, Zahedan, Iran Journal Article 2024 11 16 Sensuality is a figure of speech and a method of illustration in literary works, holding special significance in Persian language and literature. In this figure, one sensory state is intertwined with the methods and means of another, resulting in deviation. Saeb Tabrizi, as the most prominent and prolific poet of the Indian style, employed a diverse range of sensuality in his poetry. This approach not only enhanced the unique beauty of the Isfahani or Indian style but also contributed to linguistic, semantic, and aesthetic developments and influences in his work, widely, in Persian poem. In the current study, we focused on the various types of Sensuality in Saeb Tabrizi's sonnets using a descriptive analytics method and to examine the method and extent to which this figure of speech is employed in his poetry. The findings indicate that Saeb Tabrizi's Sensuality, both in terms of the combination of senses and concepts, exemplifies the Indian style clearly. Furthermore, the integration of Indian style, and applying this Sensuality with other figures of speech—such as symmetry, metaphor, irony, particularly allegory—has not only enhanced the imagery in Saeb's poetry but has also contributed to the coherence and beauty of his words. Sensuality is a figure of speech and a method of illustration in literary works, holding special significance in Persian language and literature. In this figure, one sensory state is intertwined with the methods and means of another, resulting in deviation. Saeb Tabrizi, as the most prominent and prolific poet of the Indian style, employed a diverse range of sensuality in his poetry. This approach not only enhanced the unique beauty of the Isfahani or Indian style but also contributed to linguistic, semantic, and aesthetic developments and influences in his work, widely, in Persian poem. In the current study, we focused on the various types of Sensuality in Saeb Tabrizi's sonnets using a descriptive analytics method and to examine the method and extent to which this figure of speech is employed in his poetry. The findings indicate that Saeb Tabrizi's Sensuality, both in terms of the combination of senses and concepts, exemplifies the Indian style clearly. Furthermore, the integration of Indian style, and applying this Sensuality with other figures of speech—such as symmetry, metaphor, irony, particularly allegory—has not only enhanced the imagery in Saeb's poetry but has also contributed to the coherence and beauty of his words. https://liar.ui.ac.ir/article_29377_12f5acd03b8ebee51effcae172831b6d.pdf