The analysis of the domain of tenors and vehicles in Fereidoon Tavalloli’s poem

Document Type : Original Article

Authors

1 Ph. D. Student of Persian Language and Literature, Islamic Azad University, Roodehen Branch, Tehran, Iran

2 Assistant Professor of Persian Language and Literature, Islamic Azad University, Roodehen Branch, Tehran, Iran

3 Assistant Professor of Persian Language and Literature, Payam Noor University of Damavand, Tehran, Iran

Abstract

Abstract
"Simile" as one of the figures of speech and a type of semantic deviation, promotes the form and the aspects of poetry and also creates a tender and artistic atmosphere in the poem. It makes the atmosphere of a poem more tangible for readers and due to this fact it makes the poem eloquent and attractive. “Fereidoon Tavalloli” knew this important matter and used it very well; in a way that among other semantic deviations, he has chosen simile two hundred and ten times. He used an abundance of sensory similes rather than the other kind of simile that shows his tender and extroverted soul. It is absorbing that his personal life is vividly noticeable in similes of his poems; however, his job as an archaeologist has no straight aspects. He regards the Baroque period and he might have a deal with the Oedipus complex. Using a descriptive-analytical method, this study concentrates on different kinds of simile and the domain of tenors and vehicles that had been used in Tavalloli’s poems. Also, this study can be a presentation of the poet's mind and sensation

Keywords

References

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Literary Arts
Volume 11, Issue 4 - Serial Number 29
December 2019
Pages 143-158

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